When Meghan Cardoso looks back at what SOWEBO Arts & Music Festival has become, she remembers how it started: a laid-back Memorial Day weekend hang that someone organized in Southwest Baltimore. Now, 43 years later, thousands of people fill the streets around Hollins Market on the last Sunday of May, drawn by live music, local art, and the particular energy of a neighborhood that has built something enduring from creative resilience.

This year, the festival returns on May 24 for a full day of community celebration—noon to 8 p.m., free to attend—and the organizers are expecting between 3,000 and 6,000 people to show up. That growth matters because SOWEBO stands as one of Baltimore's longest-running free community events, a distinction that speaks to both the neighborhood's commitment and the city's hunger for gathering spaces built by and for residents.

The festival spans the full spectrum of what the Hollins Market neighborhood creates. More than 200 local artists and makers will be showing work and selling goods—visual artists, musicians, crafters, all of them neighbors. You'll find Far I Fashions' Mama Saray, who's been a favorite for years; Mole Lady Arts; Misty Stained Glass; and Legendary Bowties, among many others. The musical performances range from indie-rock to soul, jazz to hip hop, so there's something for most tastes. Food vendors will be out too, the kind of spread that makes a day-long festival feel less like an event and more like a party that keeps going.

What stands out this year is the attention to who gets to belong at the festival. Kids Alley has been back before, but this time it's expanding with something new: the festival's first Calming Corner. Designed with neurodiverse children and youth in mind, it offers sensory-friendly seating, noise-cancelling headphones, fidget toys, and individual pop-up tents—the kind of thoughtful detail that signals a real commitment to inclusion rather than just saying the words. Kids Alley itself will have hands-on making stations like Tattered Hatters, where children can create hats from recycled materials, and performances by Black Cherry Puppet Theater, where kids are invited into the show itself, not just watching from the sidelines.

Laura Dykes, the festival spokesperson, captured something essential about why SOWEBO has endured: "SOWEBOFest continues to grow, but it remains what it has always been: a community-built celebration of Southwest Baltimore's talent, culture, and spirit." That distinction—community-built rather than handed down—is what separates a festival that matters from one that simply happens. It's the difference between an event organized for a neighborhood and one organized by and with a neighborhood.

For 43 years, Hollins Market has held this space open every May, a regular gathering where creativity isn't treated as something separate from daily life but as central to it. As the weather warms, thousands will walk into that neighborhood expecting music and art and food. What they'll find is something that started small and stayed true to itself while growing big enough to welcome thousands. That's the kind of tradition worth returning for, year after year.